
Singer-songwriter Paul Simon had been on the cutting-edge of pop music throughout most of the 1960s and the '70s, first as half of the seminal folk-rock duo Simon & Garfunkel, and then as a well-received solo artist. But the rise of 1980s rock and new wave saw a decline in Simon's commercial success, and the singer responded by experimenting with different musical styles--most notably, world beat--that culminated in his adventurous 1986 masterpiece GRACELAND. The album's fusion of American folk-rock songwriting and buoyant South African rhythms not only broke new ground in pop music, but became Simon's biggest-selling solo record. This episode of the CLASSIC ALBUMS series examines the making of Simon's groundbreaking work through interviews, behind-the-scenes footage, music videos, and live performances of album tracks such as "Boy in the Bubble," "Diamonds on the Soles of Her Shoes," "You Can Call Me Al," and "Under African Skies."
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
Fire Island is Hulu's most recent romantic comedy and the latest spin on the Jane Austen classic, Pride and Prejudice.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.