Tragedy Girls
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.

Tsukasa Hojo's original "City Hunter" is a very popular comic that started serializing in "Weekly Shonen Jump" in 1985 and has a cumulative circulation of over 50 million copies. 2020 will celebrate the 35th anniversary, and it is a work that continues to fascinate many people regardless of country or generation. The new top combination Ayakaze Sakina and Asazuki Kiwa will take on the challenge of creating the first stage version of this masterpiece hard-boiled comedy! "Fire Fever!" Is a show in which Ayakaze Sakina and other Snow Troupe members compete on the stage to scatter sparks and engulf the audience in a whirlpool of enthusiasm.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.