To Moscow have arrived the participants of the international conference of the zoophilologists and also the international jury which is to elect for the world festival the best performance of the program of Moscow circus. Mrs Whistler, British associate professor, makes her understood with the animals in their language but the Czech professor Ruzicka, though he is capable of using the animals language, prefers teaching the animals the human language. Ruzicka's friend, the poodle Archibald, speaks "in Human" very well. The scientific dispute ends with a bet - if Ruzicka teaches the circus elephant to sing, Mrs Whistler will eat up her hat.
Oldřich Lipský
Director
Evgeni Leonov
Circus Principal
Jiří Sovák
Professor Růžička
Iva Janžurová
Elisabeth Whistle
Aleksandr Lenkov
Alyosha
Natalya Varley
Tanya
Leonid Kuravlyov
Grisha
Savely Kramarov
Lopukhov
Marie Drahokoupilová
French Juror
Zdeněk Dítě
Italian Juror
Lubomír Lipský
Czech Juror
Oldřich Velen
Norwegian Juror
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.