Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Circling poster

Circling 

Over and over again, structures of larger contexts can be retrieved in details. They mirror, they contradict, they caricature each other. And again, all human thinking seems to be an enormous utopia within the framework we can hardly adjust. Our physical space is limited, but therein, mental constructions come to improbable proportions. The film connects fragments of memories, thoughts and observations, finding recurrent themes in different graduation. Therefore these fragments become something different, they form their own.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Over and over again, structures of larger contexts can be retrieved in details. They mirror, they contradict, they caricature each other. And again, all human thinking seems to be an enormous utopia within the framework we can hardly adjust. Our physical space is limited, but therein, mental constructions come to improbable proportions. The film connects fragments of memories, thoughts and observations, finding recurrent themes in different graduation. Therefore these fragments become something different, they form their own.

Rating:
Genre:
Directed By:Helena Wittmann
Written By:
In Theaters:
Box Office:

Runtime:16 minutes
Studio:

Articles You May Like


"Him" - All Flash, No Game

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

Nilufer Ozmekik

An exploration of societal expectations and madness: Die My Love (2025)

It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.

Ashley Delgadillo