Joyfully Chaotic, 'Why Don't You Play in Hell?' is a Must-See
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.

On a quiet city rooftop, two young lovers share books, jokes, and silence. The boy, Pile, reads a dog-eared secondhand book filled with other people’s thoughts; Eva reads a pristine one that feels strangely unfinished. Beneath the warmth and humor, something fragile presses to the surface. Weeks later, Pile returns to the rooftop alone, holding her book, searching for her between the lines. He finds a single word circled on the page.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.