“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Welcome to world of the Circledrawers - lowly janitors of the Almighty's imperfect system, angels living among us and performing the most mundane of tasks. Oleg, a special emissary has arrived at transmission central in Iceland to do the semi-centennial report on the efficiency of the Circledrawer system.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.