Entitlement and the Food Industry in 'The Menu'
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.

In the far-off land of Kalid, President Amir lies on his deathbed. If this revered head-of-state dies, the brutal dictatorship that he has so lovingly cultivated will fall into a dark age of uncertainty and chaos. And so, in this moment of crisis, his loyal staff are left with no alternative but to choose the only logical and sensible course of action—to transfer Amir's brain into a younger, healthier, and most importantly, living body. Enter Doctor Robert Trenton, a mad scientist of the traditional 'they all laughed at me and now I'll show them' school. He, along with his assistant, Dorro, a little man with a big appetite for evil, and Tracy, a conniving beauty with a heart that's harder than her leathery, over-tanned skin, concoct a deliriously diabolical plan involving murder, body-napping, skullduggery, and oozy, gooey brains.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
This remake of the Disney Channel Original Movie of the same name brings a strong representative cast.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.