"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Beginning with their small wrapped objects of 1958, this portrait examines the continuously bold and ambitious artistic ventures of the enigmatic duo, CHRISTO AND JEANNE-CLAUDE. Though their large scale environmental projects, such as Running Fence and Wrapped Coast, are often met with distress and concern from the surrounding community, perceptions of the project are likely to shift when it comes time to interact with the grand, finished piece. Neither permanent nor purchasable, Christo and Jeanne-Claude’s works exude the essence of freedom and exist only for the sake of existing.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
The live-action remake of the classic Disney film based on a wooden puppet is finally here.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.