Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

Sometimes, life just seems to hand you exactly what you need – particularly at Christmastime. Riley is scraping bottom when she miraculously lands a job with a wealthy New York City entrepreneur. He’s a bad-boy socialite type who is poised to play Scrooge by closing one of his factories just before Christmas, which would devastate an entire town. It’s left to Riley to talk him out of it and turn him into a man of virtue rather than shame.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.