4 Poker Movies to Stream on Netflix
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they're often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
Chéri-Bibi
Chéri-Bibi is an ex-convict who undergoes plastic surgery in order to resemble his rival for the hand of Cecily. Once he emerges from the bandages, Cheri-Bibi is plunged into a series of melodramatic misadventures.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Chéri-Bibi is an ex-convict who undergoes plastic surgery in order to resemble his rival for the hand of Cecily. Once he emerges from the bandages, Cheri-Bibi is plunged into a series of melodramatic misadventures.
Rating:
Genre:Drama, Adventure, Thriller
Written By:Paul Mesnier
In Theaters:
Box Office:
Runtime:84 minutes
Studio:Ariel Film, UGC, Taurus Films, Memnon Films
Cast
Marcello Pagliero
Director
Jean Richard
Chéri-bibi / Maxime du Touchais
Lea Padovani
La Comtesse
Raymond Bussières
La Ficelle
Danielle Godet
Cécily du Touchais
Andrée Servilanges
Jacqueline
Carlo Ninchi
Le Commandant
Ubaldo Lay
Memmo Carotenuto
Faccia di bronzo
Nietta Zocchi
Arnoldo Foà
Le Kanak
Albert Préjean
Inspecteur Costaud
Articles You May Like
Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Beautiful "Materialists" Can't Quite Find Its Footing
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
“Pather Panchali”: Satyajit’s Show, Sisyphus’s Saga
'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
The Rape Post-Memory in 'Grbavica'
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.