An illegitimate child of the slums comes to faith. Later, she chooses to labor in a canning factory in order to investigate its poor conditions, not realizing she has a significant connection to the cold-hearted factory owner.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.
