The Skeleton In The Closet: 8 LGBTQ+ Horror Films Claiming The Genre
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.

A significant number of American children and teenagers - from all social backgrounds - suffer from mental disorders, schizophrenia, autism and emotional problems, leading them to isolation from society while treating their issues in mental health facilities. But there's no end in sight for those young individuals when they face obstacles and mistreatment in inadequate places under the supervision of careless and inexperienced professionals. The documentary follows some of those public mental institutions and another private center dealing with troubled kids and reveals what's wrong with their procedures, and the irreparable harm they cause in those patients.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.
Women who pray together, play together. Very rarely would I describe a story about a group of punk rockers as “whimsical”, but such an engaging array of visual and comedic components make this stand-out new series the star that it is.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.