TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

In a loveless relationship, Zoé ditches her faceless boyfriend in a cheap motel room and sets off north without a penny to her name. She hitch-hikes, pilfers a meal from a gas station, encounters strangers who could be her next ride or a passing glimpse, ambling toward some unknown destination. At the end of her pilgrimage, Zoé reaches the English Channel; on the ferry a woman mysteriously disappears. A new coat gives Zoé a new identity, but even in a new country she's not quite sure she's escaped herself.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.