Mara is a law student incapable of feeling emotions. How will she react, then, when she discovers that her rapist is a redeemed and happy man? How will she compare the law with her idea of justice?
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
As a frequent “the book was better” extoller, this movie was well worth the watch.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
