A Queer Review of the Austin Film Festival (2023)
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.

In this detective and crime comedy, the heir to a large fortune is an unknown, and nobody knows him or where he can be found. An occasional musician, Fred plans to pass himself off as that man. It's a goofy idea, but maybe it will work. However, before he can set up the con properly, he learns that his loser of a brother has, inexplicably, just gotten his first job in years as one of the detectives who is searching for the heir. At one time, the two brothers played together in an amateur rock band, but as a result of a heated disagreement about how to play the Ray Noble standard "Cherokee", the two haven't spoken in years. It's going to take a lot of persuading to pull this scam off.
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
This Halloween movie is a remake of the 2003 movie of the same name with Black representation.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.