'Feel The Beat'
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.

The son of a hangman gets involved in a gunfight with the men who killed his father. When one of these men is killed, the son is arrested and tried by the territorial hanging judge. The young man's fate is now in the hands of another hangman.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Films about casinos have long been a favorite of Hollywood. This is unsurprising, as they're often tied to magnetic characters whose lives revolve around luxury, spectacle, and even danger.
A reboot series based on the popular original Nick teen sitcom of the same name.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.