Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

A new career opens for Charley Moon when, during his army service, he is detailed to appear in a unit concert. In doing so, he becomes friendly with Harold Armytage, a peacetime actor of the old school. Hearing that Charley has no job to go to when demobilized, Armytage suggests they team up as stage comics. Things are not easy; jobs are few and far between, and when they can be found they are in the tattiest of theatres, but Charley gains the experience he needs. They then decide to try their luck in London.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.