Alexandre Alexeïeff illustrated the song "Et moi je m'enfouiyais" (En passant) using the pinscreen technique. Norman McLaren illustrated "C'est l'aviron" using drawings on a fixed background, with the characters pasted in as they were drawn.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
