Jamie Foxx Brings Swagger To The Courtroom In "The Burial"
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.

Rewinding to 1979, Xu Haifeng (Li Dongxue), then a sent-down educated youth, won the air rifle title at the 4th Anhui Provincial Games with an amateur air gun. Yet he was denied entry to the provincial team for exceeding the national age limit. Three years later, while working at the Hexian supply and marketing cooperative, he returned to the Games, won again, and still received no offer for the same reason. Soon after, he injured both eyes while protecting state property and nearly went blind. At this low point, Coach Wu Quanquing (Cong Lin) unexpectedly brought a temporary transfer notice from the provincial team, leaving Xu torn over whether to go. At the 1984 Los Angeles Olympics, Xu was in top form and ranked first. But with his final three shots remaining, his old eye injury suddenly flared up, forcing him to rest, where he sat overwhelmed by emotion.
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Through three intricately crafted seasons of television, "Hannibal" has managed to make itself into the best incarnation of the self-titled work.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.