The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

In fall 2018, the Orchestre Symphonique de Montréal created the chamber opera Chaakapesh, a lighthearted story of the hero who founded the Innu people sung in three languages (Innu, Cree and Inuktitut) by Florent Vollant, Ernest Webb and Akinisie Sivuarapik. The orchestra then went on the road to perform the unique work in Quebec’s Far North, stopping in Kuujjuaq, Salluit, Kuujjuarapik, Oujé-Bougoumou, Mashteuiatsh and Maliotenam. Far more than just a concert film, Chaakapesh puts the audience front row centre as artists and communities come together in a remarkable cultural space. Poignant testimonials, important discussions and Maestro Nagano as we’ve never seen him before.
A direct fall into the white savior narrative
Spoiler Warning
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
The sparks of a dangerous conspiracy ignite a mystery in this sequel based on the mysteries of Sherlock Holmes.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.