"East Side Sushi"
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.

In fall 2018, the Orchestre Symphonique de Montréal created the chamber opera Chaakapesh, a lighthearted story of the hero who founded the Innu people sung in three languages (Innu, Cree and Inuktitut) by Florent Vollant, Ernest Webb and Akinisie Sivuarapik. The orchestra then went on the road to perform the unique work in Quebec’s Far North, stopping in Kuujjuaq, Salluit, Kuujjuarapik, Oujé-Bougoumou, Mashteuiatsh and Maliotenam. Far more than just a concert film, Chaakapesh puts the audience front row centre as artists and communities come together in a remarkable cultural space. Poignant testimonials, important discussions and Maestro Nagano as we’ve never seen him before.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Do not trust Rotten Tomatoes. That is what I learned after watching Eternals. Critics currently rate it a 48%, but it's an amazing character-focused Marvel movie with positive diverse representation.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?