Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

After her return from abroad, Lali adjusts to life in India along with her devout Hindu mother, Laxmi; an easy-going father, Dinanath; two sisters, Kalpana and Geeta, and spends most of her time dancing along with her sisters and friends. On her way to the Mandir, she assumes a singer, Puranchan, is teasing her and she slaps him, but ends up apologizing when she is told that he is blind. Guilt-ridden, she makes arrangements for him to be taken to Bombay, has his vision restored, and both fall in love with each other. Dinanath takes a liking to Puranchan and not only gets him a job but also wants him to wed Lali. About to inform his parents, Purchan does not know that Dinanath has actually instructed Lali not to see him anymore as he is a Harijan (Lower-Caste).
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.