Who is this confident man who, with unusual elegance and surprising professionalism, began working at the reception desks of the highest government and party leaders one day? Where did he come from, what are his tasks, and who entrusted him with them? These questions will be pondered in the film by members of the secret services, important and insignificant minions of the powerful, who are convinced that they know every link in the ingeniously opaque chain of relationships and competences of a centrally controlled state. Before the surprising revelation of the mysterious master of ceremonies living a double life, he manages to pull off one last stunt: a monstrous hoax whose consequences can only be tragic.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
