Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

Haunted by a dark past, Diego seeks a fresh start by renovating seaside villas. But his plans take an unexpected turn when he meets a mysterious young woman whose secrets are as deep as the ocean.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.