Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Catching Out poster

Catching Out (2003)

Over a period of five years, filmmaker Sarah George chronicled the lives of several modern-day train hoppers, a vanishing culture to which she also belongs. These individualists choose to eschew the comforts of modern American life to pursue the freedom and unpredictability of riding the rails, a choice that reflects both their lifestyle preference and a personal philosophy that is often based on environmental concerns. Through Sarah's insightful interviews, the modern hobos discuss their unique experiences and the incredible thrill of train-hopping.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Over a period of five years, filmmaker Sarah George chronicled the lives of several modern-day train hoppers, a vanishing culture to which she also belongs. These individualists choose to eschew the comforts of modern American life to pursue the freedom and unpredictability of riding the rails, a choice that reflects both their lifestyle preference and a personal philosophy that is often based on environmental concerns. Through Sarah's insightful interviews, the modern hobos discuss their unique experiences and the incredible thrill of train-hopping.

Rating:
Genre:Documentary
Directed By:Sarah George
Written By:
In Theaters:1/11/2003
Box Office:

Runtime:79 minutes
Studio:

Articles You May Like


The Naked Gun: New Squad on Fire!

Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.

Nilufer Ozmekik