Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Cash on Delivery poster

Cash on Delivery 

Retired gigolo Simon is engaged in antique trading and brokerage. His cousin Mike is a new gigolo who got into trouble and was caught in a lawsuit. Simon encountered Assistant Prosecutor Sandy in court. Eventually they fall in love with each other. Mrs. Liu and her husband Peter, a wealthy businessman, have no children, which makes the family very dissatisfied. They hire Simon to impregnate her. but she fell in love with Simon and pestered him obsessively. Simon accidentally killed Peter by mistake. Mrs. Liu accused Simon of murdering her husband. Sandy acted as Simon's defense lawyer and used her resourcefulness to get Simon acquitted.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Retired gigolo Simon is engaged in antique trading and brokerage. His cousin Mike is a new gigolo who got into trouble and was caught in a lawsuit. Simon encountered Assistant Prosecutor Sandy in court. Eventually they fall in love with each other. Mrs. Liu and her husband Peter, a wealthy businessman, have no children, which makes the family very dissatisfied. They hire Simon to impregnate her. but she fell in love with Simon and pestered him obsessively. Simon accidentally killed Peter by mistake. Mrs. Liu accused Simon of murdering her husband. Sandy acted as Simon's defense lawyer and used her resourcefulness to get Simon acquitted.

Rating:
Genre:Drama, Comedy, Romance, Crime
Written By:Cheung Kin, James Yuen Sai-Sang, Terry Tong Gei-Ming
In Theaters:
Box Office:

Runtime:95 minutes
Studio:Hong Hai Film Productions

Articles You May Like


The Naked Gun: New Squad on Fire!

Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.

Nilufer Ozmekik