
Fai is mired in work on a project that appears to foreshadow the wake-up call he is about to receive. Rushing to the bedside of her grandmother, he is shocked to learn that not only she is at risk of being paralysed following a stroke but that her faculties have been compromised by advanced Alzheimer’s. Entrusted with the care of the grandmother’s canine companion, he is confronted with the sad reminder that a man’s best friend has taken the place of absent family members and filled in the emotional void, prompting him to reassess the priorities in his life and make amends for neglecting an endearing figure in his childhood.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.