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"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.

The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.

In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.

Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.