XO, Kitty: The Spin-Off Based on "To All The Boys"
This spin-off series follows the adventures of Kitty Covey, Lara Jean's younger sister from the "To All the Boys" film franchise.

Twenty-four year old Montréaler Caroline works as a sales representative for a telephone company. She's married to Claude, the two who have a young son. On their fourth wedding anniversary, about which Claude seems to have forgot or doesn't care, Caroline seems unhappy with her life, although she approaches it with a certain efficiency. When she was growing up, she, like any girl, had several ideas which changed all the time of what she wanted to do with her life when she grew up. But her life hasn't seemed to come close to any of those dreams. Can Claude or anyone else reassure Caroline about her life, especially on this milestone?
This spin-off series follows the adventures of Kitty Covey, Lara Jean's younger sister from the "To All the Boys" film franchise.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.