Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.
Carolee, Barbara and Gunvor (2018)
From 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the moving image throughout their lives.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
From 2015 to 2017, Lynne Sachs visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the moving image throughout their lives.
Rating:
Genre:Documentary
Written By:
In Theaters:2/20/2018
Box Office:
Runtime:9 minutes
Studio:
Cast
Articles You May Like
“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
'Umbrella Academy' Season 3 Does Justice to Its Marginalized Characters
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
You're Probably Not 'The Worst Person In The World'
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
Candyman's Use of Historical Black Puppetry as Narrative Device
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Why "The Birdcage" is Still Worth Celebrating 25 Years Later
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.