Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Carnival of Waiters poster

Carnival of Waiters 

Due to a broken getaway car, three Russian jewel thieves are forced to take shelter in an empty Viennese coffee house. They knock out the waiter and call their fourth accomplice. Ten minutes until the new car arrives! Unfortunately two policemen enter the cafe and take a seat. As the only people present, the villains are mistaken for waiters - with fatal consequences.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Due to a broken getaway car, three Russian jewel thieves are forced to take shelter in an empty Viennese coffee house. They knock out the waiter and call their fourth accomplice. Ten minutes until the new car arrives! Unfortunately two policemen enter the cafe and take a seat. As the only people present, the villains are mistaken for waiters - with fatal consequences.

Rating:
Genre:Comedy, Crime
Directed By:Alexander Peskador
Written By:Lorenzo Schicho, Alexander Peskador
In Theaters:
Box Office:

Runtime:11 minutes
Studio:

Articles You May Like


The Rise of Skywalker, the Fall of Rey

It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.

Andrew Stilson

"She Rides Shotgun" — A Gritty, Heartbreaking Father-Daughter Thriller

Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.

Nilufer Ozmekik