5 Cerebral Gore Films Featuring Women: When Slasher Meets Women's Horror
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.

A tricky out-of-area mission for Peter Lohmeyer alias Chief Inspector Jan Fabel in his fourth case: in the hustle and bustle of Cologne Carnival, of all things, the introverted hamburger has to chase a serial killer and stop a colleague from going it alone. Lisa Maria Potthoff plays the policewoman Maria, whose traumatic experience turns into a blind thirst for vengeance, Stipe Erceg can be seen in the role of the burned-out top chef and Murathan Muslu as a macho criminal. The lost souls are what make this bestseller film adaptation by the author Craig Russell, which is extremely exciting right up to the last second.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The legacy of this movie starts off the film series with a bang of magic, plot twists, and battles.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.