Black Swan and its dark feminine energy
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.

Afghanistan. 1986. From the border towards Kabul on a mountain road moving column of Soviet military armored vehicles. From the air it is covered by combat helicopters. The way of the column lies through the only bridge in these parts. This is well aware of the Afghan Mujahideen and under the leadership of American instructors are preparing an operation to capture the bridge and destroy the Soviet equipment blocked in this case. At this time, located in the mountains of the Soviet geological expedition undergoes a night attack spooks. The Afghan guards scatter and the geologists decide to go to Kabul. On the way, they are informed about the approaching military column, from which they will be much safer to get to Kabul. They do not know only one that has long enabled the Mujahideen in the operation to capture the bridge.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
This may be controversial… but 'The Marvels' is actually one of the best movies in the MCU. 10 reasons why 'The Marvels' killed it.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”