The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Claire is an abortion doctor living in a post-industrial America where football no longer exists, but TRAP laws still do. After restrictive state regulations force Claire to shut down her clinic, she drives a taxi while waiting to reopen. The senator who was instrumental in passing the legislation dies in her backseat, and his wife and daughter come out of the woodwork and into Claire's life.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Queen & Slim is a nice example of representation in both cast and crew
Rather than following in the footsteps of poorly made horror flicks, “The Quiet Place” follows original concept.