Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Ilenia works the assembly line of a shoe factory in the Marche region and dreams of the stage. When she's assigned a night shift right on the day of her acting class's dress rehearsal, she tries to talk her co-workers into swapping with her, running into indifference, hurry, and the small cruelties of factory life. Among the conveyor belts and boxes of candy drifting past with the shoes, an unexpected encounter with an older worker, Massimino, gives her, for one moment, the lightness and courage to stay true to herself.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
This animated movie is based on the migration of birds from the north to the south.
American Fiction is a genuinely entertaining film with a few lessons.