Spider-Man: Across the Closet with Miles Morales and Gwen Stacy
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!

Maria joins a Pentecostal sect. A young worker, Ivan, who has fallen in love with the girl, tries to save her from the sect's influence, but he is hindered by the head of the sect, the cruel and insidious Laguta, who plays a fatal role in Maria's fate.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.