"Small Talk": An Incluvie Film Festival Review
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.

In Avispatropolis, the fearless Captain Avispa emerges as an exemplary protector of the city, whose courage and convictions always prevail over the forces of evil. His unbreakable power is nourished by absolute sincerity, as he would lose his strength if he dared to weave deceit. Only in pursuit of noble causes does he allow himself to deviate from the truth. As is common in stories of this kind, Captain Wasp is surrounded by a constellation of close friends and arch-enemies, whose stories have their origins in the artist's songs.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
A science fiction movie brings a strong diverse cast and adventure in outer space.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
The sequel to the 2010 live-action movie focuses on sibling rivalry.