The Final End - The Conjuring: Last Rites
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.

The film follows a number of European and American ecotourists as they travel from village to village throughout the Sepik River area in Papua New Guinea, driving hard bargains for local handcrafted items, paying to view formerly sacred ceremonies and taking photographs of every aspect of "primitive" life. With some prodding, the tourists unwittingly reveal an unattractive and pervasive ethnocentrism to O'Rourke's cameras. The tourists thus become somewhat dehumanized by the camera, even as the tourists themselves are busy exoticizing even the most mundane aspects of Sepik River life.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
A story of a magical dragon brings great representation for Chinese culture.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.