The Ghost (2023)
Two Korean sisters must save their family after a ghost tears the family apart.

Polish countryside of the 80s. It is Sophia's birthday. She is waiting for the arrival of her daughter Amelia and her husband Taddeusz, who have been living in Canada for 10 years. Suddenly Amelia arrives alone. The real reason for Amelia's emigration and the brutal truth about her father reveal and this is only the beginning of the intricate story of the family. Canadian Dresses - a symbol of a lost childhood, a mother who forces her decisions, the true passion and a theft of jewelry - are just a taste of the story, ironically depicted through the eyes of a small observer, a 9-year-old boy.
Two Korean sisters must save their family after a ghost tears the family apart.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.