Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A local government worker with a registrar section, Motomiya witnesses a man burying a black bag while he enjoys his hobby, bird-watching, in a mountain. Later on, a woman who visits the office to have her marriage registered rides on the car of the guy. Motomiya starts keeping an eye on the woman's daily life with his gradually grown bursting imagination about the incident.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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