‘Cherry’ : The Truth About Addiction
When a US Army veteran returns home traumatized, he begins another battle with addiction.

Hyung-rae plays a byeoldang (‘Byeoldang’ refers to a detached residence in a noble household, and by extension to an idle, freeloading young nobleman attached to it. Basically a useless aristocratic hanger-on.) who becomes entangled in a supernatural adventure involving a powerful dragon pearl, a flying “messenger from hell,” and martial arts battles blending folklore and slapstick humor.
When a US Army veteran returns home traumatized, he begins another battle with addiction.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
Korean Dramas deserve your attention and not just the ones on Netflix.
Eddington attempts to capture how media is intertwined with the uncomfortable present.