Twelve-year-old Ignacio lives with his depressive mother and violent father, neither of whom show any interest in the family. Ignacio likes to play with his younger sister and is attracted to Ezekiel at school. When the father finds out about the relationship, they try to talk, but it might be too late.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Andor is an origin story where each side will do whatever it takes.
