Brian forgot his keys after a one-night stand and now needs someone to buzz him into his building.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
