Garden of an Angry God: when the nightmare of guilt crawls out to the daily life
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.

The next season of Buzz House is the most ambitious yet. Selly has prepared many surprises for the participants: secret competitors, an isolated villa in the forest that can only be reached by boat and a costumed employee, set to scare them, to have a thrilling exit. Everything is planned in detail. What's not in the plan, though, is for a real psychopath to show up, kill the "scary" employee, take his costume and terrorize our competitors for real. Do rivalries still matter when you're being run over with an axe? Do friendships still matter when you have to risk your life for them? Who will manage to escape and how?
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.