“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Renzo Collazos has been a recognized journalist for the political section of the newspaper El Comercio for a year. One morning, the website editor asks him to manage a blog dedicated to youth and write weekly about his pale social-sentimental-sexual life. Collazos accepts, convinced that he has nothing important to tell: he has no partner; he still lives with his mother; in his spare time he reads, writes poetry, masturbates, and is fed up with the fact that his closest friends have married (because he also wanted to marry). Unexpectedly, the Wanted Girlfriend blog becomes a success as Renzo writes about his cynical love dilemmas, from the marriage of his ex-girlfriend to the failed night raids on Friday and Saturday, and he gains popularity. That fame makes him a more selfish, more vain, more stupid guy who ends up sabotaging his relationships. He finds a girlfriend, but she decides to end things and his world falls apart again. Realizing what he has become, he decides to change.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.