The Bizarre World of PN & Friends Episode 30: Reboot
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.

She was her generation’s Madonna and Bob Dylan rolled into one—and yet, by the 1970s, major poetry anthologies no longer mentioned Edna St. Vincent Millay. She had become a lost poet, her literary status mirroring her untimely death. This program documents the brief yet bright “candle” of Millay’s artistic development, from her early years in Maine to her achievements in the literary world of New York, while exploring her celebrity, sexuality, and personal relationships. Among the many eye-opening locations featured in the film is the house in which Millay spent her final years; its contents have remained untouched since the poet’s death and provide a catalyst for the study of her troubled, exuberant life. Never-before-seen archival images and interviews with Millay scholars also enrich the narrative.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
Of all the many great people that have contributed to Hip-Hop and radio, I was fortunate enough to speak with James Rosseau, founder of The Corelink Solution, a nonprofit that owns and operates Holy Culture Radio.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.