Set in the last days of World War II, a small band of Russian soldiers led by intelligence officer Brana Vasilyeva, who is tasked with trafficking the remains of Hitler back to Stalin in Russia. En route, the unit is attacked by German ‘Werewolf’ partisans and picked off one-by-one. Brana leads her surviving comrades in a last stand to ensure their ‘cargo’ doesn’t fall into the hands of those who would see it buried in order to hide the truth forever.
Ben Parker
Director
Charlotte Vega
Brana Brodskaya
Barry Ward
Mikhail 'Tor' Oleynik
Dan Renton Skinner
Cpt. Vadim Ilyasov
Bill Milner
Iossif Gulyaev
Niall Murphy
Dimitry Makar
Kristo Viiding
Grigoriy Churakov
Bashka Forrest
Ludmila
David Alexander
Karl Edwards / Bunker Soldier (voice)
Jaan Rekkor
Miłosz
Tambet Tuisk
Col. Gorbinskiy
Ester Kuntu
Justyna
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.