A woman named Bunty Bigger struggles to keep her family in line in a small Scottish village. For one, her brother Jeemy faces jail time for robbing a bank. Meanwhile, her father, Tammas, pays back the stolen money with funds given him by Susie Simpson, a woman who hopes to marry him. Susie gets angry, so Bunty borrows money to pay her back. Things turn out well when Bunty gets married in a double-wedding ceremony—during which her father not only gives her away but gets married himself. The movie is based on a play by Graham Moffat. The film is lost.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
‘Better Than Chocolate’ isn’t perfect, but it sure has charm! The characters are great. Some took longer to grow on me than others, but ultimately they’re all compelling! I appreciate how a select few help those around them to grow.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
