It’s been roughly one year since Chuuya Nakahara joined the Port Mafia, and he’s determined to become an executive before fellow mafioso Osamu Dazai. However, a man by the name of Paul Verlaine—the king of assassins who claims to be Chuuya’s older brother—suddenly appears, vowing to murder everyone he cares about! Now Chuuya must team up with Adam, an AI investigator from Europe, to stop this madman before another storm engulfs Yokohama. Along the way, many truths will be revealed…including the answer to Chuuya’s most pressing question: Is he himself even human?
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
As a horror buff, I was intrigued by people claiming 'The Sadness' was the most disturbing movie they've ever seen or to watch with caution. So, I finally put the internet to the test and watched it for myself... to varying results.
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.
