"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Jack is a wanderer whose aimless roaming leads him to a number of interesting locations and into the company of many interesting people, and despite his fascination with bullfighting he leads a largely peaceful existence. When a crime boss' daughter is accidentally gored to death, Jack is implicated in the unfortunate event and singled out for termination by a seemingly unending army of lethal hitmen. As Jack wages an uphill battle for survival against the harsh desert terrain and a hail of gun smoke and lead, his will to live depends on his ability to exercise his demons and come to terms with the fact that he may not live to see another sunrise.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
The Olivia Wilde renaissance is upon us.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.