Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Modest editor, has shipped his wife and kids for the weekend, and is trying to relax in his house at the outskirts of Warsaw. His quiet evening is only disturbed by the accidental forecast made by a Gypsy woman, that at evening time he will murder a mysterious brunet.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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